White Oak Baskets
White Oak Basket Weaving Video

Everything About Weaving White Oak Baskets

by Johnnie Jordan

White oak basket weaving is one of America's favorite folk arts. Johnnie has been weaving baskets for over sixty years. Now this exciting video shows you how to work the magic of weaving white oak baskets. The baskets that you create will give you the satisfaction of being a master of a folk craft that is quickly disappearing from our land. Pulling basket strips, dying the basket strips,weaving deferent designs, basket weaving tools, white oak tree selection, basket handle carving, and special basket weaving tips are all covered in this great instructional video.

Johnnie Jordan, one of America's best known folk artist shares the
secrets gathered from a lifetime of weaving white oak baskets.
From his appearance with Charles Carolt on CBS radio to festivals
large and small throughout the South, Johnnie has generously
shared the secrets of the art. Now he is offering his knowledge
through this exciting video tape.

Johnnie walks you through the entire process, from selecting the
proper white oak tree, to completing the finishing touches of your
creation.

AVAILABEL SOON

TOOLS STRIPS ENTIRE KITS
Information will soon be available with each tape, and on this
site, as to how you can obtain
the necessary tools, pre-cut white oak strips, and for those indoor
basket weavers, entire basket weaving kits for a variety of styles.

Send $29.95 plus $5.00 shipping and handling to:
Jordan White Oak Basket Video
324 Camellia Lane
Florien, La 71429
or
Call toll free 1 800 910 0071 for credit card and COD orders or
further information.
Click here for our order blank.
Click here to order by or send email.
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Johnnie Jordan began making white oak baskets over seventy years ago. Growing up on a farm where white oak baskets were more than simply beautiful, they were a necessary part of life. Baskets were used to gather various crops on the farm. This craft, basket making, evolved over many generations in the Jordan family. Johnnie's grandfather, Jim Jordan began teaching Johnnie to weave white oak when Johnnie was around eight years old. Upon his retirement some fifteen years ago, Johnnie began raising his craft to the level of a fine art. Over the next fifteen years Johnnie sold white oak baskets, usually as the headliner craftsman, at craft shows all over the South. During these years he brought about many innovations that have been copies by basket makers from coast to coast. He was the first to dye his individual basket strips. He created many curly strip designs, He discovered the rusty nail white oak basket dyeing method, and the partial dye method of dying white oak. He continued to be a true pioneer of modern times in the white oak basket making craft until his death in the spring of 1998. His greatest joy was not creating white oak baskets, but rather showing others how to work his craft. To the amazement of some in the craft, he never missed an opportunity to show all of his secrets to spectators and competitors alike. The creation of this video was his last and one of his proudest achievements. The company he founded, Cabin Crafts, is proud to offer this video through which the treasures of this great craftsman's mind can be shared with all who the arts and crafts of our ancestors.
 
 
 
 

Another Great Basket Maker and Friend of Johnnie


 











































Edward Harris, Sr.

Split White Oak Basket Weaver

by Betty Vilar

A tisket, a tasket ... it must be a Harris basket. Ask almost any person in South
Louisiana or East Texas who owns a handcrafted white oak basket who wove their
particular piece, and their answer will probably be "One of the members of the
Harris family." Yes, the Harris family--a family whose lives are as tightly interwoven
by the practice of their traditional craft as are the strips of their beautiful and
functional baskets.

To the Harrises, the craft of split oak basketry is in at least its fourth generation. According to patriarch Edward Harris, Sr. of
Washington, Louisiana, he learned this art, when he was about seven years old, from his grandfather, Robert Robinson
(sometimes spelled Robertson). Mr. Harris notes that he's not sure who his grandfather learned weaving from, but he believes
that his father taught him. Carrying on the tradition, Mr. Harris has taught his wife, his sons, a son-in-law, his daughters, and at
least twenty-seven grandchildren split oak basketry; some just weave, some just market, but most family members are directly
involved in both the artistic and commercial aspects of their craft.

As a farmer who worked very hard to support his large family on his forty-seven acres of land, Edward Harris had little time to
spend on basket making. Occasionally, when he or one of the children ran a little short of cash, Harris would make a few
baskets to sell. Upon his retirement, however, Mr. Harris became totally involved with his craft. As he explains, "This is
something that is hard to learn but easy after you learn it." Harris begins the "life" of a basket by searching for a "good" white
oak tree that will split into long, narrow strips. In order to find a "strippable" tree, Harris uses a wedge and a mallet. He gives a
tree "one good lick" with these tools which he made from white oak. If the tree strips easily, he cuts it down. The next step is to
split the tree into halves, then quarters, and finally, using a pocket knife, into one half to one inch wide strips. These still-green
strips are woven into baskets of every imaginable shape and size. These baskets are beautiful as well as functional and are
practically indestructible. Since so many members of the family contribute ideas, the Harrises have created egg baskets, mail
baskets, bushel baskets, Easter baskets, bread baskets, laundry and sewing baskets and even made-to-order baskets.
 
 










For the last ten years, the Harris family, under the direction of Edward Harris, Sr. has participated in and demonstrated their
craft at the Natichotoches Folk Festival. Edward and his family have also participated in Plantation Day at Magnolia Mound in
Baton Rouge, in Beaumont at the Gladys City Spindletop Boom Days and at other local festivals. In 1992, Edward Harris, Sr.
was inducted into the Hall of Master Folk Artists at NSU.
 
 
 
 
 
 


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